Intro: |C G |: 4x
C Dm |Em
ONCE UPON A TIME YOU DRESSED SO FINE, THREW THE BUMS A DIME,
F |G |./. |C Dm
YOU'RE IN YOUR PRIME, DIDN'T YOU. PEOPLE CALL SAY BE AWARE DARL',
|Em F |G |./. |
YOU'RE BOUND TO FALL, YOU THOUGHT THEY WERE ALL, KIDDIN' YOU.
F |G |F |G |
YOU USED TO LAUGH ABOUT, EVERYBODY THAT WAS HANGIN' OUT.
F Em |Dm C |F Em |Dm C
BUT NOW YOU DON'T TALK SO LOUD. NOW YOU DON'T SEEM SO PROUD.
|F |./. |G |./.
ABOUT HAVING TO BE A-SCROUNGIN', YOUR NEXT MEAL.
|C Dm7 |G |C Dm7 |G |C Dm7 |
HOW DOES IT FEEL, HOW DOES IT FEEL. TO BE WITHOUT HOME,
G |C Dm7 |G |C Dm7 |G |C Dm7 |G |./.
LIKE A COMPLETE UN-KNOWN, LIKE A ROLLING STONE.
|C Dm |Em
O-H, YOU GONE TO THE FINEST SCHOOL ALL RIGHT MISS LONELY,
F |G |./.
BUT YOU KNOW YOU ONLY USED TO GET, JUICED IN IT.
|C Dm |Em
NO-BODY'S EVER TAUGHT YOU HOW TO LIVE OUT ON THE STREET,
F |G |./. |
AND NOW YOU'RE GONNA HAVE TO GET, USED TO IT.
F |G |F |G |
YOU SAY YOU NEVER COMPROMISE. WITH THE MYSTERY TRAMP BUT NOW YOU REALIZE.
F Em |Dm C |F Em |Dm C
HE'S NOT SELLING ANY ALI-BIS. AS YOU STARE INTO THE VACUM OF HIS EYES.
|F |./. |G |./.
AND SAY, DO YOU WANT TO MAKE A DEAL.
|C Dm7 |G |C Dm7 |G |C Dm7 |G |C Dm7 |
HOW DOES IT FEEL, HOW DOES IT FEEL. TO BE ON YOUR OWN, WITH NO DIRECTION HOME.
G |C Dm7 |G |C Dm7 |G |./.
A COMPLETE UN-KNOWN, LIKE A ROLLING STONE.
|C Dm |Em
O-H, YOU NEVER TURNED AROUND TO SEE THE FROWNS, ON THE JUGGLERS AND THE CLOWNS,
F |G |./. |C Dm
WHEN THEY ALL DID, TRICKS FOR Y-OU. NEVER UNDERSTOOD THAT IT AIN'T NO GOOD,
|Em F |G |./. |
YOU SHOULDN'T LET OTHER PEOPLE GET YOUR, KICKS FOR Y-OU.
F |G |F
YOU USED TO RIDE ON A CHROME HORSE WITH YOUR DIPLOMAT. WHO CARRIED ON HIS SHOULDER,
|G |F Em |Dm C |F Em |Dm C |
A SIAMASE CAT. AIN'T IT HARD WHEN YOU DIS-COVER THAT. HE REALLY WASN'T WHERE IT'S AT.
F |./. |G |./.
AFTER HE TOOK FROM YOU EVERYTHING, HE COULD STEAL.
|C Dm7 |G |C Dm7 |G |C Dm7 |
HOW DOES IT FEEL, HOW DOES IT FEEL. TO BE OUT ON YOUR OWN,
G |C Dm7 |G |C Dm7 |G |C Dm7 |G |./.
WITH NO DIRECTION HOME. LIKE A COMPLETE UN-KNOWN, LIKE A ROLLING STONE.
|C Dm |Em F
A-H, PRINCESS ON THE STEEPLE AND ALL THE PRETTY PEOPLE, THEY'RE ALL DRINKIN'
|G |./. |C Dm
THINKIN' THAT THEY'VE GOT IT MADE. EX-CHANGING ALL PRECIOUS GIFTS,
|Em F |G |./. |
BUT YOU'D BETTER TAKE YOUR DIAMOND RING YOU'D BETTER, PAWN IT BABE.
F |G |F |G |
YOU USED TO BE SO AMUSED. AT NAPOLEON IN RAGS AND THE LANGUAGE THAT HE USED.
F Em |Dm C |F Em |Dm C |
GO TO HIM NOW HE CALLS YOU, YOU CAN'T RE-FUSE. WHEN YOU GOT NOTHIN' YOU GOT NOTHIN' TO LOSE.
F |./. |G |./.
YOUR INVISIBLE NOW YOU'VE GOT NO SECRETS, TO CON-CEAL.
|C Dm7 |G |C Dm7 |G |C Dm7 |
HOW DOES IT FEEL, O-H HOW DOES IT FEEL. TO BE ON YOUR OWN,
G |C Dm7 |G |C Dm7 |
WITH NO DIRECTION HOME. LIKE A COMPLETE UN-KNOWN,
G |C Dm7 |G |
LIKE A ROLLING STONE.
