Lirik Lagu Twisted Every Way - Phantom Of The Opera
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TIPS PENCARIAN LIRIK FAVORIT ANDA
ANDA MENGETAHUI JUDUL DAN NAMA PENYANYI
- Ketikkan nama penyanyi dan judul lagu, berikan tanda kutip di judul lagu, misal: Yovie "Menjaga Hati";
- bila tidak berhasil, coba untuk mengilangkan tanda kutip, misal: Yovie Menjaga Hati; atau
- dapat juga dengan mengeklik menu A B C D.., lalu cari berdasarkan nama artis. Yovie dimulai dengan Y, klik Y. Lihat daftar lagu, dan dapatkan yang Anda cari.
ANDA TAK MENGETAHUI JUDUL LAGU, TAPI MENGETAHUI NAMA PENYANYI
- Ketik nama penyanyi, misal: YOVIE, akan muncul banyak halaman, telusuri dan pilih dari halaman-halaman tersebut; atau
- klik menu A B C D E ... berdasarkan nama artis Y, cari Yovie, dan cari lirik yang Anda cari.
ANDA TAK MENGETAHUI JUDUL LAGU, TAPI MENGETAHUI SYAIR
- Ketikkan penggalan syair yang Anda ketahui, misal:
Tanpamu tiada berarti
Tak mampu lagi berdiri
Cahaya kasihmu menuntunku
Kembali dalam dekapan tanganmu - Masukkan kata-kata penting. Misal: tiada berarti berdiri cahaya dekapan.
- Hindari kata-kata yang berkemungkinan memiliki ada dua versi atau lebih. Misal: tanpamu dapat ditulis tanpa mu.
TETAP TIDAK DAPAT MENEMUKAN LIRIK YANG ANDA CARI
- Pilih menu A B C D E ... berdasarkan nama artis atau judul lagu.
- Bila masih tidak dapat menemukan lirik yang Anda cari, mungkin kami bisa membantu Anda. Silakan menghubungi kami.
(CHRISTINE turns away unhappily)CHRISTINETwisted every way,what answer can I give?Am I to risk my life,to win the chance to live?Can I betray the manwho once inspired my voice?Do I become his prey?Do I have any choice?He kills without a thought,he murders all that's good . . .I know I can't refuseand yet, I wish I could . . .Oh God - if I agree,what horrors wait for mein this, the Phantom's opera . . .?RAOUL (to CHRISTINE, very tenderly)Christine, Christine,don't think that I don't care -but every hopeand every prayerrests on you now . . .(CHRISTINE, overcome by her conflicting emotionsturns away and hurries out. RAOUL strides forward andaddresses an imaginary PHANTOM)RAOULSo, it is to be war between us! But this time, cleverfriend, the disaster will be yours!(As lights fade, ATTENDANTS stretch a red, velvet ropeacross the downstage area. OTHERS bring on gilt chairs.CARLOTTA PIANGI and GIRY move downstage to taketheir places for the next scene)A REHEARSAL FOR DON JUAN TRIUMPHANT(REYER supervises the learning of the new piece fromthe piano. Present are PIANGI, CHRISTINE,CARLOTTA, GlRY and CHORUS)CHORUSHide our sword now wounded knight!Your vainglorious gasconnadebrought you to your final fightfor your pride, high price you've paid!CHRISTINESilken couch and hay-filled barnboth have been his battlefield.PIANGI (wrong)Those who tangle with Don Juan . . .REYER (stopping him)No, no, no! ChorusQrest, please.Don Juan, Signor Piangi - here is the phrase.(He demonstrates it)"Those who tangle with Don Juan . . ."If you please?PIANGI (still wrong)Those who tangle with Don Juan . . .REYERNo, no. Nearly - but no."Those who tan, tan, tan . . ."PIANGI (still wrong)Those who tangle with Don Juan . . .CARLOTTA (to the OTHERS)His way is better. At least he make it sound likemusic!GIRY (to CARLOTTA)Signora - would you speak that way in thepresence of the composer?CARLOTTA (deaf to the implications of this remark)The composer is not here. And if he were here, Iwould . . .GIRY (cutting in, ominous)Are you certain of that, Signora . . .?REYERSo, once again - after seven.(He gives the note and counts in)Five, six, seven . . .PIANGI (wrong again)Those who tangle with Don Juan . . .(Gradually EVERYONE starts either to talk or topractice the phrase simultaneously)CARLOTTAAh, piu non posso! What does it matter what noteswe sing?GIRYHave patience, Signora.CARLOTTANo-one will know if it is right or if it is wrong.No-one will care if it is right, or if it is wrong.CARLOTTA (mocking)Those who tanglewith Don Juan!PIANGI (trying again)Those who tan . . . tan . . .(to CHRISTINE)Is right?CHRISTINE (to PIANGI)Not quite, Signor:Those who tan . . . tan . . .REYER (attempting lo restore order)Ladies . . . Signor Piangi . . . if you please . . .(REYER thumps the piano keys, then leaves the piano,and attempts to attract attention using signals. Al theheight of the mayhem, the piano suddenly begins todemonstrate the music unaided. It plays with great forceand rhythm. ALL fall silent and freeze then suddenly startto sing the piece robotically and accurately. As theycontinue to sing, CHRISTINE moves away from thegroup.)ALL EXCEPT CHRISTINEPoor young maiden! For the thrillon your tongue of stolen sweetsyou will have to pay the bill -tangled in the winding sheets!(As the ENSEMBLE becomes background, CHRISTINE,transfixed, sings independently):CHRISTINEIn sleephe sang to me,in dreamshe came . . .that voicewhich calls to meand speaksmy name . . .(The scene begins to change. Trance-like, CHRISTINEmoves slowly upstage. We hear the distant sound ofbells)Little Lottethought of everything and nothing . . .Her Father promised herthat he would send her the Angel of Music . . .Her father promised her . . .Her father promised her . . .
