Lirik Lagu Quorthon's Sleeve Notes For "blood On Ic - Bathory
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Tanpamu tiada berarti
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Blood on Ice is a legend among those who have followed usthroughout the years. Never permitted to forget about its existence,constantly reminded of it as I was by all the tens of thousands ofletters from our fans that I've received throughout the years eversince I breathed about it in the press some years ago, Blood on Iceseemed a very difficult piece of gravel to get out of my shoe.
It seemed to all these thousands of fans and fanzines afrustrating fact that we could let a complete epic-type of a theme-album collect dust on a shelf. The truth is it was, of course, farfrom that complete, ready-to-be-released epic creation of a theme-album it was made out to be.
Blood on Ice was an hour long of material recorded during thesame circumstances that four of our albums were recorded... that is onequipment hailing from the late 60s, early 70s and using a 14-trackdemo-style mixing table of home made-fashion (in reality 12-tracks dueto the fact the table itself didn't have any effects of its own -hence two tracks were used for echoes etc. mind you, sometimes trackson that old made tape-machine we used just wouldn't work from one dayto another). This private demo-studio was seldom, if ever, used foranything serious other than BATHORY and occasionally up until '87 (butall the time after that) it was actually working as a garage (which infact is just what it was to begin with) and not only used car parts bestored there, but the damn place would function as a repair shop inbetween the recording of Blood Fire Death and Hammerheart (and as suchall the time when the latter was recorded)...
Oh, those were the days...
The size of the room where we would 'pile' our amplifiers upagainst the wall (if we're talking the first album, that's plugging inmy shitty little 20w Yamaha amp, mind you) and where we would rig upour drums, was not large enough to allow us to record, say, the guitarand the drums or the bass and the drums at
It seemed to all these thousands of fans and fanzines afrustrating fact that we could let a complete epic-type of a theme-album collect dust on a shelf. The truth is it was, of course, farfrom that complete, ready-to-be-released epic creation of a theme-album it was made out to be.
Blood on Ice was an hour long of material recorded during thesame circumstances that four of our albums were recorded... that is onequipment hailing from the late 60s, early 70s and using a 14-trackdemo-style mixing table of home made-fashion (in reality 12-tracks dueto the fact the table itself didn't have any effects of its own -hence two tracks were used for echoes etc. mind you, sometimes trackson that old made tape-machine we used just wouldn't work from one dayto another). This private demo-studio was seldom, if ever, used foranything serious other than BATHORY and occasionally up until '87 (butall the time after that) it was actually working as a garage (which infact is just what it was to begin with) and not only used car parts bestored there, but the damn place would function as a repair shop inbetween the recording of Blood Fire Death and Hammerheart (and as suchall the time when the latter was recorded)...
Oh, those were the days...
The size of the room where we would 'pile' our amplifiers upagainst the wall (if we're talking the first album, that's plugging inmy shitty little 20w Yamaha amp, mind you) and where we would rig upour drums, was not large enough to allow us to record, say, the guitarand the drums or the bass and the drums at
